{"id":917,"date":"2023-10-15T22:22:35","date_gmt":"2023-10-15T22:22:35","guid":{"rendered":"http:\/\/mcdougallcenter.missouri.edu\/?p=917"},"modified":"2024-01-31T16:15:46","modified_gmt":"2024-01-31T16:15:46","slug":"current-exhibit-the-2023-class-of-the-missouri-photojournalism-hall-of-fame","status":"publish","type":"post","link":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/2023\/10\/15\/current-exhibit-the-2023-class-of-the-missouri-photojournalism-hall-of-fame\/","title":{"rendered":"Previous Exhibit | The 2023 Class of the Missouri Photojournalism Hall of Fame"},"content":{"rendered":"\n

The Missouri Photojournalism Hall of Fame recognizes those who have made outstanding contributions to Missouri -journalism, and to provide an educational venue to showcase visual reporting pioneers and the work of current photojournalists. <\/p>\n\n\n\n

Established in 2005, the HOF was housed in Washington, Mo., for 10 years before relocating to the Missouri School of Journalism at the University of Missouri. Please visit www.photojournalimhalloffame.org<\/a> to see biographies of each of the inductees and examples of their work. <\/p>\n\n\n\n

Inductees are recognized for one or more of the following: outstanding photojournalism achievement, long-term photography for a Missouri publication or other journalism outlet, leadership in education, technical innovations, ethical values and integrity and contributions to community.<\/p>\n\n\n\n

Randy Cox<\/h2>\n\n\n
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Randy Cox was a talented news photographer, picture editor and designer. He also was a champion of documentary photojournalism and an inspirational teacher and mentor. Born in 1953, he grew up in Texas and Kansas but in 1973 enrolled in the Missouri School of Journalism to study photojournalism, graduating in 1975.<\/p>\n\n\n\n

In his 38-year career, he worked as a photographer for the Jackson, Miss. Clarion-Ledger<\/em> and a photo editor at The Coffeyville, Kan., Journal<\/em>. He joined The Morning Call<\/em> in Allentown, Pa., in the early 1980s as director of photography, then went to The Hartford Courant<\/em>, where he served as assistant managing editor in charge of photos and graphics. He worked as a design consultant and member of the design team at The Albuquerque Tribune<\/em>. In 1997, he joined The Oregonian<\/em> in Portland, where he was senior editor for visuals, directing photography and visual presentation for about 16 years.<\/p>\n\n\n\n

Cox remained a staunch supporter of the Missouri School of Journalism for his entire adult life. He stayed in close touch with Missouri photojournalism faculty throughout his career, mentoring many Mizzou students and alumni over the years. He was a member of the faculty of the Missouri Photojournalism Workshop for more than a dozen years. He also helped found and served on the faculty of the Kalish Workshop for nearly 20 years and served on the faculty of the Electronic Photojournalism Workshop for nine years.<\/p>\n\n\n

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Dennis Crider<\/h2>\n\n\n
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Growing up in Wichita, Kan., Dennis Crider always had a camera in his hand. He took his first picture during a family vacation to Yellowstone National Park. The small black and white shot of Old Faithful blowing its top, \u201cperfectly centered\u201d according to his father, is stored in a journal his mother made of that vacation. The photo was taken at 1:30 p.m. on Saturday, Aug. 16, 1947… five days before Dennis\u2019 fourth birthday. Growing up, when neighborhood boys built a ramp and pushed their wooden homemade go-carts into the air, he just had to capture the moment.<\/p>\n\n\n\n

Crider\u2019s interest led to further studies and employment at a photo processing facility in Wichita, as well as work as school photographer in high school and college. That combination of schooling and training led to a job at the West Plains Daily Quill<\/em> newspaper where he worked for 39 years before retiring in 2008.<\/p>\n\n\n\n

Since retiring, Dennis divides his time between traveling with his cameras to capture memories and traveling with his photographs to share his collections in various exhibits and festivals throughout Missouri, Arkansas, Kansas and Oklahoma. He is a three-times finalist in the Best Nature Photography Show, an international competition hosted by the San Diego Natural History Museum. One of his photos was a finalist in Cowboys and Indians magazine\u2019s annual photography contest in 2011.<\/p>\n\n\n

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Sally Stapleton<\/h2>\n\n\n
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Sally Stapleton is a third-generation visual journalist who spent her childhood in small-town newsrooms at opposite ends of the state. Before her teens, she learned to develop film in the darkroom of the Daily Dunklin Democrat<\/em> in Kennett, then run by her father, and she remembers watching her grandfather write stories on Linotype machines in the Stanberry Headlight<\/em> and Albany Ledger<\/em> newsrooms. Between earning her undergraduate degree and returning to pursue her master\u2019s from the Missouri School of Journalism, Stapleton spent eight months working for her father in Kennett, where she launched a weekend magazine.<\/p>\n\n\n\n

She was with AP Photos from 1990 until the end of 2003. In the 1990s, her role was as the senior photo editor for Latin America and Africa. She has held newsroom leadership roles covering the most far-reaching stories, including the 1994 genocide against the Tutsi in Rwanda, which received the 1995 Feature Photography Pulitzer Prize for an Associated Press staff entry. In 1999, the AP won a second Africa-based Pulitzer Prize in Spot News Photography for its coverage of the simultaneous al-Qaida bombings of U.S. embassies in Kenya and Tanzania. Later, as deputy executive photo editor, she was responsible for all editorial aspects of the U.S. and international photo operation, which included more than 400 staff photographers and editors. In 2016, Stapleton was named the Pollner Distinguished Professor at the University of Montana School of Journalism and taught multimedia storytelling and went on to work as the managing editor of the Pittsburgh Post-Gazette<\/em> from 2017 to 2019.<\/p>\n\n\n

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Jill Toyoshiba<\/h2>\n\n\n
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Jill Toyoshiba was born and raised in Honolulu, Hawaii. She first earned a microbiology degree at San Francisco State University, going to work as a technician in Bay Area research labs. Switching gears again, Toyoshiba decided to pursue photojournalism at San Jose State University. Early in her, she interned at The Pinnacle<\/em> in Hollister, California, and the Chicago Tribune<\/em> before being hired at the Herald News<\/em> in New Jersey.<\/p>\n\n\n\n

Toyoshiba joined The Kansas City Star<\/em> as a photojournalist in 2002 and during her 20 years there, she covered all manner of stories in Missouri and Kansas as the role expanded to videographer and drone pilot. She is thrilled to have covered two World Series and two Super Bowls. International experience has been important to Toyoshiba, having lived and worked in London and Bangkok and done as much overseas budget traveling as possible. Following the death of Royal\u2019s pitcher Yordano Ventura\u2019s, she traveled to the Dominican Republic to understand his last year of life. She has also surveyed birds in Alaska and Arizona for the U.S. Forest Service. Her work has included several impactful projects including the documentary, Murder Factory<\/em>, and coverage of the \u201cright-sizing\u201d plan to shutter 26 Kansas City public schools. She was nominated for a regional Emmy for a video story about a teacher who donated a kidney to her school\u2019s principal and was a member of a team whose investigative series about government secrecy in Kansas was a Pulitzer Prize finalist.<\/p>\n\n\n

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\"Kansas<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

The Missouri Photojournalism Hall of Fame recognizes those who have made outstanding contributions to Missouri -journalism, and to provide an educational venue to showcase visual reporting pioneers and the work of current photojournalists.  Established in 2005, the HOF was housed in Washington, Mo., for 10 years before relocating to the Missouri School of Journalism at the University […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-917","post","type-post","status-publish","format-standard","hentry","category-exhibit"],"_links":{"self":[{"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/posts\/917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/comments?post=917"}],"version-history":[{"count":13,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/posts\/917\/revisions"}],"predecessor-version":[{"id":1039,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/posts\/917\/revisions\/1039"}],"wp:attachment":[{"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/media?parent=917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/categories?post=917"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/mcdougallcenter.missouri.edu\/index.php\/wp-json\/wp\/v2\/tags?post=917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}